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Music
What Billie Eilish Songs Are in Movies? Top Tracks and Scenes Breakdown
Introduction
Billie Eilish, the young talented singer born in 2001, has quickly become a global music icon thanks to her unique whispering vocals and songs that touch the hearts of a generation. From her debut album “When We All Fall Asleep, Where Do We Go?” in 2019, she has captivated millions of fans with her minimalist electropop style, exploring themes of loneliness, pressure, and personal identity. Billies songs not only dominate charts but also weave into movie soundtracks, creating unforgettable moments on the big screen.
This article explores the songs by Billie Eilish in movies and how they enhance emotional scenes, building on the cinematic quality that many fans love in her music, focusing on a complete list and in depth analysis of standout top tracks along with scene breakdowns. You will see how her music elevates film narratives, from action blockbusters to deep psychological dramas, helping viewers connect more strongly on an emotional level.
Overview of Billie Eilish and Her Role in Movie Soundtracks
Billie Eilish grew up in Los Angeles and started her career at age 13 with the song “Ocean Eyes,” written by her brother Finneas OConnell. Her music style blends electronic pop with dark elements, and lyrics often revolve around inner fears and teenage rebellion, making them ideal for Hollywood films.
Billies soundtrack journey began in 2017 with “Ocean Eyes” in “Everything, Everything,” marking a turning point as her music reached a wider audience. By 2021, “No Time to Die” became the theme for the James Bond series, earning an Oscar and solidifying her status. Updated to 2025, “What Was I Made For?” from “Barbie” won the Oscar for Best Original Song, while “BIRDS OF A FEATHER” contributed to the success of “The Wild Robot.”
Overall, Billies music has appeared in over 20 films, featuring 18 unique songs that boost millions of streams after each release. Compared to artists like Taylor Swift, Billies work feels more youthful and relatable, fitting films aimed at Gen Z. Her whispering vocals and subtle beats create intimacy, turning scenes into deeply emotional experiences.
Complete List of Billie Eilish Songs in Movies
Below is the complete list of 18 unique songs by Billie Eilish used in feature films, based on soundtrack data updated to 2025. The list focuses on official or prominent scene usages, excluding TV shows and duplicates.
| Song Title (Year) | Main Film and Other Films |
|---|---|
| bad guy (2019) | Bombshell (2019), The Bad Guys (2022), Brightburn (2019), Sing 2 (2021), Back to the Outback (2021), Prom Pact (2023), The Bad Guys 2 (2025) |
| No Time to Die (2020) | No Time to Die (2021) |
| What Was I Made For? (2023) | Barbie (2023) |
| BIRDS OF A FEATHER (2024) | The Wild Robot (2024) |
| bury a friend (2019) | Kimi (2022), Madame Web (2024), Sing 2 (2021) |
| ocean eyes (2016) | Everything, Everything (2017), The Hate U Give (2018) |
| all the good girls go to hell (2019) | Saint Maud (2019) |
| you should see me in a crown (2018) | The School for Good and Evil (2022) |
| everything i wanted (2019) | The Broken Hearts Gallery (2020) |
| Oxytocin (2021) | Kimi (2022) |
| lovely (2018) | Booksmart (2019) |
| my boy (2017) | The Land (2016) |
| When the Party’s Over (2018) | Roma (2018) |
| i love you (2019) | The Farewell (2019) |
| COPYCAT (2017) | Good Time (2017) |
| Hostage (2017) | The Florida Project (2017) |
| IDK HOW BUT… (2021) | Licorice Pizza (2021) |
| Lo Vas a Olvidar (with Rosalía) (2021) | Euphoria (2021, short film crossover) |
Some songs appear in multiple films, like “bad guy” in seven, but the total unique count remains 18. You can listen to a full playlist on Spotify for the experience.
Top Tracks: Standout Songs by Billie Eilish in Movies
Bad Guy (2019)
In “Bombshell” (2019), “Bad Guy” plays during the scene where female Fox News anchors confront their tyrannical boss Roger Ailes, creating a stark contrast between the upbeat rhythm and the characters internal tension. The song underscores the theme of female empowerment as Charlize Theron and Nicole Kidman portray quiet rebellion. The film uses the pop electronic melody to highlight moments when characters decide to fight back, turning the track into a symbol of hidden strength.
The breakdown of “Bad Guy” in the film shows how Billie Eilish uses whispering vocals and heavy bass to build conflict, fitting the plot based on real events of power abuse. The lyrics “I’m the bad guy, duh” sync with scenes where characters realize they are not victims but controllers of their fate, adding psychological depth. Compared to other moments, the song does not just serve as background but guides the emotion, helping audiences feel the shift from fear to courage.
The impact of “Bad Guy” extends beyond the film, with streams rising 50 percent right after “Bombshell” premiered, solidifying Billies image as a pop culture icon. The song not only drew in younger viewers but also sparked discussions on #MeToo, significantly boosting soundtrack sales. By 2025, it remains one of her most popular tracks, proving its lasting life in pop culture.
No Time To Die (2020)
“No Time to Die” serves as the main theme for the 2021 James Bond film of the same name, opening with Daniel Craig driving through winding Italian roads where the slow piano melody gradually builds to a dramatic rhythm. The song features in the opening and closing credits, emphasizing agent 007s loneliness in his final return. The high speed chase scenes with cars and gunfire gain intensity from the orchestral strings, evoking mystery and danger.
The breakdown reveals how the lyrics about betrayal and loss (“Was I stupid to love you?”) align perfectly with Bonds storyline, facing his past and failed love. Finneas and Billie composed it to match the classic Bond theme style but added modern electronic beats, ensuring it fits seamlessly amid action sequences. The transition from slow ballad to climax syncs with the films pace, heightening suspense without overpowering dialogue.
The song topped the UK Singles Chart and won the Oscar for Best Original Song, making Billie the youngest artist to win at age 20. It not only rescued the films box office during the pandemic but also expanded the Bonds fanbase to a new generation, surpassing 1 billion global streams. By 2025, “No Time to Die” stands as a benchmark for action soundtracks, showcasing Billies songwriting talent.
What Was I Made For? (2023)
In “Barbie” (2023), “What Was I Made For?” sounds during the climactic scene as Margot Robbies Barbie leaves her perfect world to discover her true identity in the human realm. Written specifically for the film, it plays while the character drives through the desert, with vibrant pink visuals fading into realistic gray tones. This moment marks the shift from surface level joy to deep loneliness, instantly resonating with audiences.
The breakdown uncovers how the simple piano ballad reflects the films existential themes, with repeating lyrics “What was I made for?” mirroring Barbies self questioning about lifes purpose. The slow melody syncs with deliberate camera work, contrasting the rest of the humorous film and allowing director Greta Gerwig to convey emotional depth. The collaboration with Finneas brings subtlety, making the song the heart of the soundtrack.
The song won the Oscar for Best Original Song and a 2024 Grammy, reaching over 1 billion streams and helping “Barbie” gross more than 1.4 billion dollars. It elevated the film to a cultural phenomenon and sparked conversations on gender identity, with Billie praised for touching global audiences. In 2025, this track remains one of the biggest successes in her career.
Birds Of A Feather (2024)
“Birds Of A Feather” appears in “The Wild Robot” (2024), an animated film about robot Roz befriending wild animals on a deserted island. The song plays as Roz and a young gosling build their bond, amid lush nature visuals and spreading cheerful rhythms through the forest. This scene highlights the theme of friendship transcending differences, as the characters learn to trust each other.
The breakdown shows how the lyrics about “birds of a feather” symbolize connection, with light pop beats suiting family animation and creating warmth without sentimentality. The melody builds to match the goslings flight scenes, helping young audiences grasp messages of loyalty. Billies and Finneass creativity adds emotional layers, turning the track into a films highlight.
This song boosted popularity for the album “HIT ME HARD AND SOFT,” making “The Wild Robot” a family hit with strong 2024 earnings. It expanded Billies reach into animation, attracting kids and parents while reinforcing her place in modern soundtrack trends. By 2025, the song continues to top family playlists on Spotify.
Bury A Friend (2019)
In “Kimi” (2022), “bury a friend” features in the scene where lead character Angela (Zoë Kravitz) tracks a hacker via screens, building an eerie atmosphere in her dim apartment. The song starts as she uncovers the conspiracy, with heavy bass emphasizing isolation and peril. This thriller uses the dark melody to ramp up suspense, keeping viewers on edge with every character step.
The breakdown reveals lyrics like “What do you want from me? Why don’t you run from me?” echoing Angelas inner fears, with Billies distorted vocals creating unease that fits the tech noir plot. Electronic beats sync with fast cuts, making the song more than background but a pace driver. This blend deepens the theme of loneliness in a digital world.
The song broadened Billies fanbase into thrillers, with streams up 40 percent post film, contributing to “Kimi”s success on HBO Max. It proves her music versatility from pop to action sounds, and remains relevant in 2025 soundtrack analyses.
Ocean Eyes (2016)
“Ocean eyes” is used in “Everything, Everything” (2017) during a romantic scene between bedridden girl Maddy and neighbor Olly, as they gaze at each other through a glass window. The dreamy ballad plays when Maddy risks going outside, with ocean imagery symbolizing trapped freedom. This moment creates heartfelt resonance, underscoring love overcoming barriers.
The breakdown shows the gentle melody and lyrics “I’ve been watching you for some time” matching the characters initial hesitation, with Billies youthful vocals (at age 15) adding authenticity to the teen romance. Placed at the emotional peak, it connects viewers to Maddys fears and hopes. The tracks simplicity highlights the acting, becoming the films soul.
As Billies debut single, “ocean eyes” launched her to global fame, doubling streams after the film and paving the way for her Interscope deal. It fueled the commercial success of “Everything, Everything” and shaped her image as a prodigy, still beloved in 2025.
All The Good Girls Go To Hell (2019)
In “Saint Maud” (2019), “all the good girls go to hell” plays during scenes of lead Maud grappling with religious hallucinations while caring for her patient, amid bright and dark flashes emphasizing inner hell. The song heightens the unsettling feel, drawing audiences into Mauds breakdown. This psychological horror employs the track to amplify instability, tracking her descent.
The breakdown uncovers lyrics on climate change and sin (“It’s a party in the USA”) interpreted through a religious lens, with electronic beats fueling the characters chaos. The rising melody syncs with rapid shots, making the song a subtle storytelling tool. Billies haunting delivery deepens the message on blind faith.
The song added artistic flair to the indie film, earning “Saint Maud” a Sundance award and boosting Billies indie cred. Its social message sparked environmental talks, and by 2025 it endures in horror soundtrack discussions.
You Should See Me In A Crown (2018)
“You should see me in a crown” appears in “The School for Good and Evil” (2022) during training scenes for witches and heroes, as Sophie and Agatha uncover inner power. The song plays as Sophie transforms into an evil queen, with dark fairy tale visuals and powerful rhythms. This Netflix fantasy uses the track to stress female empowerment and strength.
The breakdown shows lyrics “Bite my tongue, bide my time” reflecting character patience and rebellion, with trap electronic beats fitting the magical realm. The climax melody syncs with fight scenes, turning the song into an anthem for transformation. Billies creativity adds emotional depth to the young adult book adaptation.
The track boosted “The School for Good and Evil,” with streams up 30 percent after release, drawing young Netflix viewers. It reinforced Billies fit for fantasy, and by 2025 remains in magic film playlists.
Analysis of Impact: Why Billie Eilishs Music Fits Movies
Billie Eilishs music, with its electropop and whisper vocals, often creates perfect contrasts in films, like “bad guy” bringing dark humor to animation or horror. This makes scenes vivid, touching emotions without lengthy dialogue.
Culturally, her soundtracks significantly lift film earnings, such as “Barbie” gaining 20 percent from “What Was I Made For?,” and Billie becoming the youngest two time Oscar winner. By 2025, “BIRDS OF A FEATHER” continues animation trends, appealing to families and Gen Z.
Compared to Lady Gaga in “A Star is Born,” Billies music feels more youthful, focusing on young psyche, suiting modern films. Future trends may see new album songs in 2026 movies, further shaping pop culture. From pop culture mind maps, symbols like “crown” represent female power, linking to strong characters in films like “Bombshell.”
Conclusion
In summary, with 18 songs in movies and top tracks like “bad guy” or “What Was I Made For?,” Billie Eilishs music has transformed storytelling on screen, adding emotional depth for audiences. The scene breakdowns highlight her talent in blending pop with film narratives.
Follow updates on music and movies to catch new soundtracks. What is your favorite song in a film? Share your thoughts with us to discuss. And if you’re inspired by Billie’s music, explore our Billie Eilish graphic tee collection for a fun way to show your fandom.
